Joachim Koester, Tarantism, 2007, Courtesy the artist and Jan Mot, Brussels One winter’s night in early 1842, Joseph Mallard William Turner strapped himself to the mast of a steamship in the midst of a storm in order to experience nature in all its sublime majesty.
20-ene-2014 - An ongoing weblog published by the curators of the 2013 Carnegie International
Jordan Wolfson Animation, Masks, 2011. 27 Apr 2010 Dominic McGill's 'FuturePerfect'; Joachim Koester at Greene Naftali; performing a version of tarantism, a cure (originally medieval) for the 14 Dic 2012 Tarantism, 2008 El tránsito desde la exploración de geografías hasta entonces inaccesibles encarnada por Nordenskiöld o Andrée hacia esa 11. sep 2012 Tarantism, 2007, 16 mm black and white film installation [6.31 min]. Courtesy: Galleri Nicolai Wallner, Copenhagen, DK .Foto: Anders Sune Berg.
‘Tarantism’ (2008) and ‘My Frontier Is an Endless Wall of Points (After the Mescaline Drawings of Henri Michaux)’ (2007), together with other more recent work, show Koester’s growing interest in the examination of our inner, psychological unknown terrain, Koester’s films, meanwhile, focus on human protagonists. The choreographed convulsions of Tarantism (2007) are based on the alleged symptoms of the tarantula’s bite; movements which Koester asked each person to generate according to a different set of rules. Joachim Koester er en af 90’er-generationens mest betydningsfylde kunstnere. Filmene ”Tarantism” go ”To navigate…..” og fotoværket ”From Morning of the Magicians” er alle værker, der beskæftiger sig med vores mentale rum og overskridelsen eller excessen af det normale.
Joachim Koester’s ‘ghost-hunting’ in his works to bring back forgotten people or places often involves occultism or rituals experimenting with different types of perception. Mention is made of Carlos Castaneda’s research on shamanism, places associated with black magic, outlaw communities and areas subjected to psychogeographic examination.
Talk and screening as part of the exhibition "I See, So I See So. Messages from Harry Smith" Also called "dancing mania" and "St. Vitus’ Dance" by medieval physicians, Southern Italian tarantism is an ecstatic dance and was originally part of a ritualised exorcism. Joachim Koester inszeniert in seinem 16 Millimeter-Film "Tarantism" von 2007 mit Verweis auf die historischen Dokumente den Tanz - ganz ohne Musik - als eine mimetische Form der Selbstdarstellung und -ermächtigung. Joachim Koester.
Joachim Koester, Tarantism, 2007. Film still. 16mm black and white film, 6.31 min. The solo exhibition of the Danish artist Joachim Koester at Bergen Kunsthall is a nearly closed-off and seamlessly connected world. A monotone palette of greys and darkness dominate the show.
20. Febr. 2021 Die Kunsthalle präsentiert im Lockdown Werke von Joachim Koester Gutleut- Bar, Ludwigsstraße 4, ist die Projektion „Tarantism“ zu sehen, also Furse's comments on tarantism in her essay on hysteria, and Neil Ellis Orts's review of Joachim. Koester's powerfully disturbing Tarantism (2007), a 16mm 9. Febr. 2021 The way out is the way in des dänischen Künstlers Joachim Koester sind. Eine zweite Videoarbeit mit dem Titel Tarantism (2007)zeigt die Since the early 1990s, Joachim Koester has been working at the crossroads between documentary and fiction, wandering among various political, historical or Joachim Koester, “Tarantism”; Angus Johnston and Gordon Black; Nicholas Groves-Raines and Kristin Hannesdottir; Carrie Maginn, Cheryl and Sam at “Stills ” 29 Jun 2007 Subsequently, a new short film by the Danish artist Joachim Koester will be screened as a preview.
Joachim Koester visar en video i loop.
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sep 2012 Tarantism, 2007, 16 mm black and white film installation [6.31 min]. Courtesy: Galleri Nicolai Wallner, Copenhagen, DK .Foto: Anders Sune Berg. Joachim Koester · Contact us · Information about www.khm.lu.se · Find us on social media. Joachim Koester, Tarantism, 2007.
Joachim Koester’s interest in tarantism is tied to its original sense: a dance of uncontrolled and compulsive movements, spasms and convulsions.
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Joachim Koester: Tarantism, The Ian Potter Museum of Art, Melbourne, Australia: Reptile Brain or Reptile Body, It’s Your Animal, Palais de Tokyo, Paris, France: Reptile brain, or Reptile Body, It’s Your Animal, Galerie Jan Mot, Brussels, Belgium: Who Wants Flowers When You’re Dead, Poor Farm, Manawa, USA: 2012
MoMA i New York, Moderna Joachim Koester Maybe One Must Begin with Some Particular Places 20 November 2012–10 March 2013. S.M.A.K. Citadelpark and in Tarantism (2008) he investigates the language of the human body and the knowledge evoked by certain trance-provoked gestures through a choreography of uncontrolled, [member:membership-name] [member:full-name] VIEW MY DASHBOARD #Ernesto De Martino #la Taranta #Tarantism #Cultural and anthropological phenomenon #Tarantismo #Dance #Music #Italian visual ethnomusicology #magic #ritual #tarantata.
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TY - ADVS. T1 - Tarantism, Turku Art Museum, Turku Finland. AU - Koester, Joachim. PY - 2009. Y1 - 2009. M3 - Artistic work. ER -
May 10–July 8, 2012. Opening:May 9, 6–8pm. Conversation with Joachim Koester and João Ribas, 5:30pm. Weisner Bldg. E15. Summary Directeur du département du développement culturel du Centre Pompidou et directeur artistique du Nouveau Festival, Bernard Blistène propose ici de dialoguer autour de la déconstruction de l'image, au travers du travail de Joachim Koester et plus particulièrement Tarantism (2008), œuvre de l'artiste danois présentée dans l'espace 315.
Joachim Koester’s interest in tarantism is tied to its original sense: a dance of uncontrolled and compulsive movements, spasms and convulsions. In Tarantism he has utilized this idea to generate the movements of dancers, who explore, in six individually choreographed parts, what might be called the body’s terra incognita.
Danish-born, New York-based Joachim Koester works primarily in film, photography, and installation, though these visual forms often act as a supplement to his written texts: the product of intense, subjective research into various obscure histories. Joachim Koester’s ‘ghost-hunting’ in his works to bring back forgotten people or places often involves occultism or rituals experimenting with different types of perception. Mention is made of Carlos Castaneda’s research on shamanism, places associated with black magic, outlaw communities and areas subjected to psychogeographic examination.
Dec 15, 2017-Dec 2, 2018. Ritual. Museum admission is free courtesy Amy & John Phelan. Aspen Art … Joachim Koester “Tarantism” (2007) 2 years ago. Galleri Nicolai Wallner Plus.